Linklink Bertiana Lovely 280822

Storia del cinema parte 5 Inghilterra: Robert W Paul, Cecil Hepworth, The Brighton School Sia Cecil Hepworth che Robert W. Paul hanno sperimentato l'uso di diverse tecniche di ripresa nei loro film. La "Cinematograph Camera No. 1" di Paul del 1895 fu la prima macchina fotografica dotata di avviamento inverso, che consentiva di esporre più volte lo stesso filmato, creando così esposizioni multiple. Questa tecnica fu usata per la prima volta nel suo film del 1901 Scrooge, o il fantasma di Marley. Entrambi i filmmaker hanno sperimentato la velocità della telecamera per generare nuovi effetti. Paul ha girato scene di On a Runaway Motor Car attraverso Piccadilly Circus (1899) avviando la macchina fotografica molto lentamente. Quando il film veniva proiettato alla solita velocità di 16 fotogrammi al secondo, lo scenario sembrava scorrere a grande velocità. Hepworth usò l'effetto opposto in The Indian Chief and the Seidlitz Powder (1901). I movimenti del Capo vengono accele...

Linklink Bertiana Lovely 021023

October 02, 2023

Before celluloid The stroboscopic animation principle was introduced in 1833 with the stroboscopic disc (better known as the phénakisticope) and later applied in the zoetrope (since 1866), the flip book (since 1868), and the praxinoscope (since 1877), before it became the basic principle for cinematography. Experiments with early phénakisticope-based animation projectors were made at least as early as 1843 and publicly screened in 1847. Jules Duboscq marketed phénakisticope projection systems in France from c. 1853 until the 1890s. Photography was introduced in 1839, but initially photographic emulsions needed such long exposures that the recording of moving subjects seemed impossible. At least as early as 1844, photographic series of subjects posed in different positions were created to either suggest a motion sequence or document a range of different viewing angles. The advent of stereoscopic photography, with early experiments in the 1840s and commercial success since the early...

Linklink Bertiana Lovely 031023

October 04, 2023

First motion pictures By the end of the 1880s, the introduction of lengths of celluloid photographic film and the invention of motion picture cameras, which could photograph a rapid sequence of images using only one lens, allowed action to be captured and stored on a single compact reel of film. Movies were initially shown publicly to one person at a time through "peep show" devices such as the Electrotachyscope, Kinetoscope and the Mutoscope. Not much later, exhibitors managed to project films on large screens for theatre audiences. The first public screenings of films at which admission was charged were made in 1895 by the American Woodville Latham and his sons, using films produced by their Eidoloscope company, by the Skladanowsky brothers and by the – arguably better known – French brothers Auguste and Louis Lumière with ten of their own productions. Private screenings had preceded these by several months, with Latham's slightly predating the others´s. Early evolutio...

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